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Naturalism

In the arts generally, an approach that advocates the factual and realistic representation of the subject of a painting or novel with no stylization.

Specifically, naturalism refers to a movement in literature and drama that developed as a reaction to the mannered, conventional and heavily stylized approach to all the arts favoured in the 18th century.

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IMAGES FROM CREDO

Caravaggio, Italian Baroque painter. The...Theodore Dreiser, US writer. (Carl Van Vechten...
Gerhart (Johann Robert) Hauptmann, writer.

REFERENCES

  • Ahnebrink, L., The Beginnings of Naturalism in American Fiction (1950).
  • Buchesky, C., The Background of American Literary Naturalism (1971).
  • Conder, J., Naturalism in American Fiction (1984).
  • Hakutani, Y., and L. Fried, eds., American Naturalism: A Reassessment (1975).
  • Howard, J., Form and History in American Literary Naturalism (1985).

From Credo

  • Martin, R., American Literature and the Universe of Force (1981).
  • Pizer, D., Twentieth-Century American Literary Naturalism (1982).
  • Baugh, A. C., ed., A Literary History of England (2nd ed., 1967);.
  • Brosman, C., ed., Nineteenth-Century French Fiction Writers: Naturalism and Beyond (1992);.
  • Carpenter, R., Thomas Hardy (1964);.
  • Coustillas, P., ed., Collected Articles on George Gissing (1968);.
  • Drabble, M., ed., The Genius of Thomas Hardy (1976);.
  • Olafson, F. A., Naturalism and the Human Condition (2001);.
  • Powers, L. H., Henry James and the Naturalist Movement (1971);.
  • Wagner, S. J., and R. Warner, eds., Naturalism: A Critical Appraisal (1993).
  • Hoefert, Sigrid, Das Drama des Naturalismus, Stuttgart: Metzler, 1968; 2nd edition, 1973.
  • Marshall, Alan, The German Naturalists and Gerhart Hauptmann: Reception and Influence, Frankfurt: Lang, 1982.
  • Maurer, Warren R., The Naturalist Image of German Literature: A Study of the German Naturalists' Appraisal of Their Literary Heritage, Munich: Fink, 1972.
  • Maurer, Warren R., “Gerhart Hauptman in the United States,” in The Fortunes of German Writers in America: Studies in Literary Reception, edited by Elfe, Wolfgang et al., Columbia: University of South Carolina Press, 1992.
  • Maurer, Warren R., Understanding Gerhart Hauptmann, Columbia: University of Southern Carolina Press, 1992.
  • Mews, Siegfried, “Naturalism,” in A Concise History of German Literature to 1900, edited by Vivian, Kim, Columbia: Camden House, 1992.
  • Möbius, Hanno, Der Naturalismus: Epochendarstellung und Werkanalyse, Heidelberg: Quelle und Meyer, 1982.
  • Osborne, John, The Naturalist Drama in Germany, Manchester: Manchester University Press, and Totowa, New Jersey: Rowman and Littlefield, 1971.
  • Pascal, Roy, From Naturalism to Expressionism: German Literature and Society, 1880-1918, London: Weidenfeld and Nicholson, and New York: Basic Books, 1973.
  • Schutte, Jürgen, Lyrik des deutschen Naturalismus (1885-1893), Stuttgart: Metzler, 1976.
  • Almeder, Robert F. (1998) Harmless Naturalism: The Limits of Science and the Nature of Philosophy, Chicago: Open Court.
  • Bhaskar, Roy (1998) The Possibility of Naturalism: A Philosophical Critique of the Contemporary Human Sciences, 3rd edn, London and New York: Routledge.
  • Kornblith, Hilary (ed.) (1985) Naturalizing Epistemology, Cambridge, MA: MIT.
  • Krikorian, Yervant Hovhannes (ed.) (1946 [1944]) Naturalism and the Human Spirit, New York: Columbia University Press.

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